Denmark
Home base · 6 museums
We have been building websites, digital products and software since the late 1990s. Across those 25 years we've worked many sectors — but over the last five, one kept pulling us back: museums.
The complexity of collection data, the weight of what institutions hold, the gap between what's in the archive and what the visitors can find — we stepped in, with MuCoDi.
Most digital vendors arrive at a museum with a website to sell. The museum's collection — the actual subject of the institution — becomes content to migrate, not the thing the product is for.
We started the other way around. MuCoDi treats the collection as the centre of gravity. Everything else — websites, search, maps, exhibitions, in-gallery — orbits around one structured, queryable source of truth.
We are in Copenhagen, and we work closely with a focused group of museum agencies and partners. When you onboard with MuCoDi, you work directly with people who have built it.
A museum is not a website. It is a historical, structured, and a thoughtful reference that shows how we care.
And — said plainly — there are not many agencies in the Nordics with this depth and breadth of museum experience, or a portfolio that spans this many institutions.
If your institution is looking for a vendor partner who can understand your collection challenges and museum branding goals to design a visitors-centric experience, we are the team to work with.
We're based in Copenhagen and focused on the Nordic region. We know the institutions, the funding structures, and the scale of what's realistic for each country.
Learn about MuCoDi →
Home base · 6 museums
Primus / KulturNav-ready
DigitaltMuseum-compatible
MuseumPlus integrations
Bilingual Kalaallisut / Danish
On request · across Europe
New interviews, a long read, and what museums in the Nordics are quietly shipping.
Interviews with curators and directors, essays by our product team, and what museums in the Nordics are quietly shipping.
Thirty minutes, your real data, no slides. We'll show you what your collection looks like as a public surface — and tell you, candidly, what the first ninety days would take.